Some features appear in both Logic Pro and GarageBand for iOS, like the amazingly flexible Live Loops View, which sadly isn’t in GarageBand for Mac. There’s even a rudimentary mixer in there too, with basic pan and volume versions of Logic Pro’s more fleshed out features. You can control and play any instrument in GarageBand on Mac wirelessly using your iPhone or iPad using the Logic Remote app. A simplified Flex Time control changes audio timing and it’s also easy to transpose tracks, regions or notes by several different methods to add depth and complexity to your music. Smart controls allow you to create original sounds from preset instruments in the sound library and there's a good mix and match selection of electric guitar amps, cabinets and pedals. There are 33 virtual drummers to choose from and each one can perform over a million unique groove and fill combinations to keep you inspired. These can be standalone tracks but they can also either be set to follow along with tempo.Īlternatively, designating your drummer track (or any other track) as the 'Groove Track’, means all others will follow along with it. Flexible, multi-featured, cross platformįor a free audio editor, GarageBand pays impressive attention to detail, with options for each stage of music production including AI-powered drummers.So long as the iPad editions of Final Cut Pro and Logic Pro meet your needs, you can buy them to either supplement your Mac setup or serve as an all-in-one production studio. While third parties have stepped up with offerings like Adobe's (limited) suite and Blackmagic's DaVinci Resolve, you couldn't realistically use an iPad as part of an all-Apple creative solution. Apple has routinely faced criticism for marketing pro iPads that don't have first-party software to justify the expense. The move isn't surprising given Apple's increasing reliance on services for revenue, but it may be disappointing if you were hoping to avoid the industry's fascination with subscriptions.Įven so, these apps may be worth the outlay. Where Final Cut Pro and Logic Pro for Mac are one-time purchases, you'll have to subscribe to the iPad versions for either $5 per month or $49 per year. The apps represent a change in Apple's pricing strategy. Neither is surprising given the demands of pro-level media software, but there's a good chance you'll have to invest in a new iPad. While Logic Pro will work with any A12-equipped iPad or newer, you'll need at least an M1-based iPad just to use the video editor. The requirements are relatively steep for Final Cut Pro. You can export music to Final Cut or as individual audio stems, and import tracks from GarageBand for iOS if you need the more advanced production suite. Along with the usual effects and plug-ins (including vintage EQs), there are new tools for manipulating samples, crafting beats, designing drum kits and producing loops.Īs with Final Cut, Logic Pro on iPad can exchange projects with its Mac equivalent. There's a new sound browser to help find patches, samples and other content in one place. You'll find a collection of instruments you can play using keyboards and other virtual interfaces, and a surprisingly deep mixer includes channel strips, faders, plug-ins and similar controls. Logic Pro, meanwhile, takes advantage of touch to let you perform on the iPad itself. Add a keyboard and you can use shortcuts like you would on your computer. Projects created on the iPad can be sent to a Mac (and vice versa), and you can bring in video from iMovie for iOS. You can easily remove background images or noises, and automatically crop to fit common video aspect ratios. It supports multi-camera video editing as well as customizable graphics and auto-adjusting soundtracks. At the same time, Apple wants to reassure creators that Final Cut Pro for iPad can fit into a familiar workflow.
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